https://bib.cozmix.cloud/files/original/6dd13de8d7fda5fee6ab159a3b0db60b.jpg 3d82c7ea235304cc77ad74682fd089ec Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Waarnemen Boek Een boek. ISBN International Standard Book Number 933346859 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context WAA0380 Creator An entity primarily responsible for making the resource Stephen James O'Meara Title A name given to the resource The Messier Objects Publisher An entity responsible for making the resource available Cambridge University press Date A point or period of time associated with an event in the lifecycle of the resource 1998 Description An account of the resource Steve O'Meara has been called "the best visual planetary observer of modern times." The first to spot Comet Halley on its return in 1985, the first to determine the rotation period of Uranus, he now turns his amazing visual skills to the deep sky. <p> Charles Messier was one of the best comet hunters of the 1700s, with 12 comet discoveries to his credit. He was frustrated because he kept wasting time looking at fuzzy objects that turned out not to be comets. The list he kept and published of "things that aren't comets" turned out to be his ticket to immortality.</p> <blockquote> Amateur astronomers of all ages enjoy tackling the Messier catalogue members, because they represent a good sampling of what's "out there," and because finding them helps to hone observing skills. In a sense, the Messier objects are the testing grounds for budding skywatchers.</blockquote> <p> O'Meara's guide is unique in conveying his approach to observing: "It's an approach based on creative perception and on using the imagination to see patterns and shapes in the subjects seen through the eyepiece. It involves using not just your eye but also your <em>mind's eye</em> to associate those patterns and shapes with things that are familiar with you, to create pictures and even stories." With O'Meara as your docent, you will truly appreciate the art of the universe.</p> Language A language of the resource eng