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                <text>&lt;p&gt;This book compiles an array of interesting constellations that fell by the wayside before the IAU established the modern canon of constellations. That decision left out lesser known ones whose history is nevertheless interesting, but at last author John Barentine is giving them their due. This book is a companion to "The Lost Constellations", highlighting the more obscure configurations.&lt;br /&gt;The 16 constellations found in this volume fall into one or more of three broad categories: asterims, such as the Big Dipper in Ursa Major; single-sourced constellations introduced on surviving charts by a cartographer perhaps currying the favor of sponsors; and re-brands, new figures meant to displace existing constellations, often for an ideological reason. All of them reveal something unique about the development of humanity's map of the sky.&lt;/p&gt;</text>
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                <text>Are there really laws of nature out there waiting to be discovered? Or are they simply an illusion?&lt;br /&gt;&lt;br /&gt;
A retitled and revised edition of The World Within the World, this is John Barrow's extraordinary study of how we view the universe. Covering the magical notions of primitive cultures to the latest ideas about chaos, black holes, inflation, and superstrings, the book traces the development of our&lt;br /&gt;
concept of what the laws of nature are and how we come to know them. Entertaining and inspiring, it is a journey to the edge of space and time.</text>
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                <text>Our love of art, writes John Barrow, is the end product of millions of years of evolution. How we react to a beautiful painting or symphony draws upon instincts laid down long before humans existed. Barrow argues that the laws of the Universe have imprinted themselves upon our thoughts and actions in subtle and unexpected ways. Why do we like certain types of art or music? What games and puzzles do we find challenging? Why do so many myths and legends have common elements? In this eclectic and entertaining survey, Barrow answers these questions and more as he explains how the landscape of the Universe has influenced the development of philosophy and mythology, and how millions of years of evolutionary history have fashioned our attraction to certain patterns of sound and colour. Barrow casts the story of human creativity and thought in a fascinating light, considering such diverse topics as our instinct for language, the origins and uses of colour in nature, why we divide time into intervals as we do, the sources of our appreciation of landscape painting, and whether computer-generated fractal art is really art.&lt;br /&gt;
Drawing on a wide variety of examples, from the theological questions raised by St. Augustine and C.S. Lewis to the relationship between the pure math of Pythagoras and the music of the Beatles, The Artful Universe Expanded covers new ground and enters a wide-ranging debate about the meaning and significance of the links between art and science.</text>
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                <text>1999</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>The origins of life on earth, the workings of the human mind, the mysteries of the Universe itself-profound questions such as these were once the province of philosophy and theology alone. Today they have become the staple-and indeed the hallmark-of the finest writing about science. And few science writers have tackled the big questions as persistently and as insightfully as astronomer John Barrow. Now, in Between Inner Space and Outer Space, Barrow brings together dozens of essays that offer a sweeping account of his explorations along the boundary lines of science, philosophy, and religion. Here is an invigorating tour of topics such as cosmology, evolution, Grand Unified Theories, complexity and chaos, the nature of time, super string theory, quantum mechanics, particle physics, Big Bang theory, and much more. Barrow's range is remarkable. He examines, for instance, what science can tell us about our love of music or why certain paintings appeal to us. He recounts the dramatic discoveries made by the satellite C.O.B.E. (Cosmic Background Explorer) and reveals what these findings tell us about the origins of the Cosmos. He discusses the debate over the nature of the universe waged by Stephen Hawking and Roger Penrose. And he offers a thoughtful review of E.O. Wilson's Consilience, seconding Wilson's criticism of social scientists who remain quite ignorant of the key insights made by the life sciences. Leavened with a sprightly sense of humor, Between Inner Space and Outer Space illuminates modern science as it provides much food for thought about life's ultimate questions.</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="3172">
                <text>Engels</text>
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